Minna – Trap Door Theatre

“Géraldine Dulex … plays the title role with plenty of spark”
- Chicago Tribune, Chris Jones

“The actors all give admirable, incredibly energetic individual performances—Geraldine Dulex’s steely
Minna and Carl Wisniewski as the major’s weasely servant stand out especially—”
- New City, Monica Westin

 

 

Robin Hood of Barnsdale Wood – Theatre-Hikes

“Some of the show’s funniest moments come when Géraldine Dulex’s headstrong Lady Marian disguises herself as a young page to lead the Merry Men back to their captured leader.”
- Chicago Reader, Marissa Oberlander  (Reader Recommended)

 

 

A Memory of Two Mondays – Eclipse Theatre

“… beautiful acting by Steven Fedoruk’s 14-member ensemble, each of whom gives a
pitch-perfect performance”
- Chicago Reader, Albert Williams (Reader Recommended)

 

The Censor -Ebb and Flow Theatre

“its bratty insistence on pushing some of our culture’s hottest
psychological buttons creates disturbing intrigue. It’s a singular theatrical
experience.”
- The Reader, Justin Hayford  (Reader Recommended)

 

The Bitter Tears of Petra von Kant – Trap Door Theatre

“… and Géraldine Dulex’s Gabriele, Petra’s daughter, are excellent… This is not only one of the most
intelligent casts I’ve ever seen but also perhaps the most subversively funny”
- Gay Chicago Magazine, Venus Zarris  (****)

“Finally, there’s Petra’s adolescent-ripe teenage daughter, Gabriele (Géraldine Dulex)… No matter how
crazy-in-love the women of Petra become, they look fabulous…”
- Windy City Times, Catey Sullivan  (Critic’s Choice)

 

FAWN (a one-woman show by Géraldine Dulex) – Strings Attached at Edinburgh Fringe Festival

“This unususal show is visually stunning… it’s tied together at the end in a beautiful scene… this thought
provoking monologue will [help] remind yourself, that being alive is more than just breathing and eating.”
-
Three Weeks, Gemma Scott

 

 

1913 or Nude Descending a Staircase – Strings Attached at Edinburgh Fringe Festival

“Intriguing piece of theatre explores the Countess’s story… innovative in its presentation and with an
impassioned and brittle performance by Géraldine Dulex as the Countess”
- The Scotsman, Susan Mansfield

 

 

 

Bus Stop – ECC Theatre

“Old “Bus Stop” gets a fresh new look… And the actor playing the young waitress (Géraldine Dulex) has
enough spunk to jump-start a car.”
- Janus Theatre Company

 

Dead Man’s Cell Phone – Steppenwolf Theatre Company

“A non musical being choreographed is rare indeed, but each scene change is in fact a work of art
through great movement…”
- Epoch Times, Alan Bresloff